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way and people don't have any surplus produce to sell due to the unproductive farmland they were given. They depend on their land. That really robs them of their existence.Students outside Armando Guebuza school in Cateme resettlement. Although the school brought infrastructure to the resettlement, not many families can afford the school and exam fees. Photograph: Gregor ZielkeWhat impressed you most about how the people dealt with their worsened living conditions? The most amazing moment for me was to see people dancing on a Sunday afternoon a few kilometres from Cateme in Mwaladzi, a community resettled by the British mining company Rio Tinto. There is no electricity and no water supply and people have to rely on a water truck that comes once a week. Two boys had put up some kind of karaoke machine blasting music, powered by a solar panel they got somewhere. Adults and children alike were dancing and enjoying themselves inviting me to join them.How do you aspire to influence political debates with your work? My aim is simply to put faces to the displaced communities, to show that the big companies are not moving around figures and a nameless "population." They have names, they are mothers, fathers, grandparents and kids, all they want is to rais
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mind. And then remember this: you can always come home."I walked away and was back in my bedroom before I heard my own words echoing in my mind. I had called Lady "Mother". I knew she had noticed but we never ever mentioned the incident. I was aware that after the birth of my son and the decision to move and get a place for just the two ofus, I thought of Vivian Baxter as my mother.Independence is a heady draught, and if you drink it in your youth, it can have the same effect on the brain as young wine does. It does not matter that its taste is not always appealing. It is addictive and with each drink you want more.By the time I was 22 I was living in San Francisco. I had a five-year-old son, Guy, two jobs and two rented rooms, with cooking privileges down the hall.Mother picked up Guy twice a week and took him to her house, where she fed him peaches and cream and hot dogs, but I visited her only once a month and at an agreed-upon time. Sheunderstood and encouraged my self-reliance and I looked forward eagerly to our standing appointment. On the occasion, she would cook one of my favourite dishes. One lunch date stands out in my mind. I call it Vivian's Red Rice Day.When I arrived at the Fulton Street house, mymother was dressed beautifully. Her m
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way that appeals to the very young work force and is positioned as part of their core ethics.Payroll giving in the NHS: There is a huge challenge with complexity of structure within the NHS that seems to hinder the scheme. They would be a very powerful leader my example though, no doubt. This also highlights the challenges of portability and how it can be a huge barrier to entry and growth. This is amplified within complex public sector structures.A trend of fewer donors but bigger donations: CAF's research shows that overall over the last four years, whilst the number of payroll donors has dropped, that actual amount donated has grown.This shows us that donors appear to be more generous and so by pushing and growing payroll schemes the potential is huge. You can view the full report here.Penny Tapping, Hands On HelpingOrganisations must decide who's responsible for payroll giving: The lack of awareness may be driven by confusion around which department is responsible for payroll giving within large employers. This can vary from HR to payroll to CSR. It often needs to be 'adopted' by one person/department to enable a scheme to develop.Be careful before implementing a central register: Although a central register would be fantastic from an employee
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ed spirit in Morris's rage against industrialism, his chucking things around?"No," he says "I never lose my temper. Maybe once every three years or so I raise my voice. My art is my way of losing my temper, I get everything out through that."One thing Deller doesn't do is take sides in his work. If his guiding principle is only connect, then it applies to people as much as things. He is a Morris-like utopian in this sense, though never forgetting the vague absurdity of that position. His new Jerusalem is as much Women's Institute as William Blake �C of children cartwheeling on his inflatable Stonehenge, the studious mixed-race steel band hammering out Vaughan Williams, the harrier taking its revenge on trigger-happy Harry. He wants to hold all these things together fleetingly, and at once.We walk up to the pavilion where Deller hands me a 300,000-year-old axe-head dredged up from the Thames, as if to summon the spirit of Albion. Through one door I can see William Morris emerging from the waves, through another the criss-crossing route map of Ziggy Stardust's tour of Britain which offers a template to the connective magic Deller is after. For a while those associative connections fizz between his gathered elements, and singular co-ordinates of a Br
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