Posted by OF8z1l54jg on July 31, 19113 at 18:05:34:
In Reply to: トッズ posted by vaclvicj on June 02, 19113 at 20:52:37:
century goes something like this: a combination of technology and international competition transformed Britain's traditional manufacturing sectors, and led to a dramatic contraction in the size of the industrial workforce. The labour movement, its weakness compounded by government policy, was unable to resist, resulting in lower wage inflation and a generation of mass unemployment.Many economists and policy makers will describe the upsides to this story: how the UK economy was able to restructure and prosper (up to a point and at least for a while) through high-value services. The role of manufacturing was displaced, and instead well-educated, highly skilled professionals working in sectors such as finance, business services, ICT and, of course, the creative industries became central to the economy.So what happens next? The global financial crash and recession has made it difficult to distinguish between immediate distress and more long-term challenges. But beneath the noise, there are growing indications that those same forces that proved so destructive to the British working classes are starting to inflict comparable damage on the rest of society.To put it bluntly, it seems that high-skill occupations can be mechanised and outsourced in much t
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felt grounded in lives beyond the demands of the story. James Fox and Stephen Rea popped up pleasingly as languid villains. Jokes worked. The writing was deft and the direction stylish without being showy. Perhaps the eye-torture scene could have done with a little less chilli, but what would you rather have on a miserable Tuesday night in January �C Huw with the latest on horse DNA and the turmoil in Pakistan?Are you interested in trains? No, neither am I, unless I have been waiting 20 minutes for one. But here was Dan Snow chuffing for Britain in Locomotion, which may do for the story of railways over the next three weeks what Mary Poppins did for tidying the house �C ie make it not seem like hard work. What larks with the drawers opening and shutting on their own and clothes folding themselves and jumping into your arms! But can railways be larks? Dan was admirably determined to do the whole programme without gaudiness or visual trickery (though he did, inexplicably, fire a revolver in the opening sequence), relying rather on force of personality, as he pored over old maps or gazed longingly at flickering departure boards.Would we, as he did, see King's Cross station as the start of a grand romantic adventure? Even with its recent makeover and
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igital dropped 6.6p to 144.9p after a 17% fall in 2012 profits, following the introduction of a new gaming tax in its key German market, which hit its revenues in the country. It warned 2013 sales would be lower than current market estimates as it shifted focus to regulated markets.Elsewhere Ocado moved past its original float price of 180p, up 13.3p to 183.3p following its upbeat trading statement on Thursday and news of a licensing tie-up with supermarket group Morrisons, down 4.9p at 271.3p, for its online offering.Exane BNP Paribas has raised its target price on Ocado from 145p to 225p, while Barclays move from 80p to 160p.Finally APR Energy, the temporary power supply business, surged more than 10%, up 76.5p to 820p, following news of a contract win in Libya, the largest in the company's history.As Libya rebuilds following its political upheaval, it has awarded APR a 250MW contract for its dual-fuel turbines, running into the middle of next year. The mobile turbines will help cover power demand during the summer heat, as well as provide temporary supply as Libya develops its infrastructure after the overthrow of Colonel Gaddafi in 2011.Leading shares moved to a new five year high, but Vodafone missed out on the gains.The FTSE 100 finished up 6
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ability. "It is a question of the eye and the mind," he says. They are the kind of landscapes that many people would hesitate to regard as "scenic", but that carry their own rough loveliness. "Perhaps everything's beautiful," hesays. "It's a question of how you experience things visually." He adds: "Something happens when you see Willesden Junction stretching out in front of you. What else can you do but draw it?"He worked for years drawing and painting Kilburn tube station. Eventually the faces in the crowd turned unbidden into the faces of people he knew as he painted. He points out to me the face of his father, and that of his wife. Seeing the drawings in the gallery, rather than simply in reproduction, they suddenly seem busier, more clamorous, less bleak. In the early 1970s, he used to take his son to the public baths in Willesden, and depicted the full pool, joyous and splashing and teeming �C some of his best works. Theyare pictures, as he says simply, of"life going on".When I ask Kossoff why he believes he was drawn to making art, he shakes his head, but then says, "Ithink it may be because I used to enjoy looking out of the window as a boy." Many of his drawings have been made by looking out of a studio window: finding the beauty of what'
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